kevinjohncurnin

One root but many leaves (not a tree)
Separate (the verb)
Sadness / Love (noun form)
Not anger/fear (true/false?)
Blessing and letting go (you’ve arrived).

My lover breathing
My heartbeat
Together in bed

Like a Fox
In the Snow
She Pounces

The river flows
The traffic slows
One sighs and breathes
The other brakes and seethes

Still traffic runs hard
Moving waters forgive
Provide a mirror
Behind and ahead
Or ignored off to the side

I’ve got to get there
Says the driver
The river will carry us
Says the boatman

We walked along
Side by side
The plover plied
The waves crashed and sighed

Breezes glide

We did not touch the ocean
The ocean touched us

I’m not deep but I’m into you
I don’t sleep but I dream of you

Got room for me I got room for you

Closing time and you can’t go home
Closing time and you can’t be alone
Putting yourself up for adoption
Bad choices means no options

You’re a straight jacket
I’m Harry Houdini
You thought you’d be lock me up and drop the key
Not chill enough to let it be
Didn’t listen to my warning
I want a lover not a warden
You thought you could lock up my lyrics but I’m the word man
You’re Alcatraz but I’m The Birdman

We ride the high wind
We ride the sound wave

I stagger You slide
I stumble You glide

We ride
We roll
We ride
My soul
We whole!
Your soul
We whole!

We ride the cool breeze
We sail open seas

You stammer I speak
You dig in I streak

You’re grounded I fly

We ride
We roll
We ride
My soul
We whole!
Your soul
We whole!

So, Jimmy Nagle, so —
all the cones outside the ice cream shop on Inishmore
the whitish bird on the stone by the green bush
with the pale yellow flowers looking off island over the water
to Connemara, beyond.

so much depends
upon
a blue ice
berg
calved in arctic
water
beside the white
bears

To Greta Thunberg
With thanks to
William Carlos Williams
1923 to 2020
Still / Planet / Earth

it’s his pack that holds
my attention
the dowels and springs
the hidden hinges
nothing there stands out

all is infolded unsprung potential
surfaces and plates and pockets
the shoulder straps
made by a woman
a mother sister or lover long ago

it matters not
only that they were made with care
leather padded with cloth
just long enough to hold
pack to back

sweated sun stained
worn like skin like memories
hoisting up, on the shoulders
eased off, one strap first
twisting and bending towards
the grass for a moment to rest

the peddler sets down
and sits on his packrest
and recalls the strapmaker

no i don’t care for his goods
but for his pack
and where it’s been
and how it’s carried…

Seeping red on a white t-shirt under blue sky.

When a man dies like that
He becomes a mural
On a mini mart wall in Ferguson
Or a shotgun shack in Baton Rouge

Martyred by & for a color
Brown takes on all kinds of hues
All kinds of textures
When it’s painted on
Whitewashed concrete

He becomes everything
He was and everything
He wasn’t up there on display

His daily sweat and daily bread
Erased in a final image
We stare & imagine
Filling in what’s missing
With what we know from
Yesterday’s news
With what we know from
300 years of history

We guess at the rest
Or make it up
See or don’t see ourselves
In the mural-mirror
That wasn’t there yesterday

Our American mural
So much skin on the wall

Pigment & paint charcoal & wash
Mortar brick block & plaster
Ebony alabaster
Chalk ochre
Shadow shade
Perspective
Fade

Plain labor built those walls
Maybe in the 50s
Or the 1970s
Used or misused over the years
Abandoned reclaimed
Reinvented lost and found again
Public space and public witness

On the American body
These murals spread like tattoos
On our shared skin

And we read as our story unfolds
Across the street

On our smartphones
On our computers
On our screens newspaper TVs
We see the pictures
We hear the voices
We read the words
We see it all again

When every inch is filled
When every wall is covered
All becomes black

What does the perfect mural
Look like? Red white & blue
Is not enough

Old glory
Old sorrow
What colors does new sorrow bring?